El resultado es una magna obra que superó con creces el ámbito que hasta entonces era propio de los «libros de cocina»

objetos inusuales

Francisco Cuetzpalómitl

se plantea la redención del mal

BETTINA RHEIMS COHEN ABADI EMILY El resultado es una magnaSince her first photographs in the late 70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I. N. R. I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional codes of representation and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.