deftly foregrounds the institutional and social structures that propagated the announcements of photography

and a deep admiration for her colleagues

and Paul Gauguin

” the image of Saint Jerome in the wilderness—is always infused with his instinct for natural representation

More than One Picture: An Art History of the Hyperimage 7-8 deftly foregrounds the institutional andFelix Thurlemann In exhibitions, illustrated art books, and classrooms, artworks or their photographic reproductions are arranged as calculated ensembles that have their own importance. In this volume, Felix Thurlemann develops a theory of this type of image use, arguing that with each new gathering of images, an art object is reinterpreted. These hyperimages have played a major role in the history of art since the seventeenth century, and the main